This may be the start of when a painting actually spoke to me on how it should be painted. The eyes of the children were the first thing I saw and then I let my brush flow from there. The story unveiled itself with each stroke and I was in awe of the translation while I was painting. I heard quietly and lovingly "thats Miriam, and thats Moshe, shes taking him to the water" all the signs symbols around then are cosmic music notes of protection. I painted this piece in one day using only acrylic.
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